Plato s Allegory Of The Cave - 2058 Words

Taking a leap back into the realm of historical art would not only shed light upon some of the distinguished theorists but would also leave us at awe by virtue of the innovation of Art. The vicissitude, as can be said, that the revolution arose from; the emergence of a new perception of art by which contemporary dogma is rooted back to. It can be argued that art cannot be defined, for it is as abstruse as the terrestrial, such that it enforces different individuals to interpret it according to their own beliefs. Since the time of Plato’s allegory of the cave, it was deemed by mankind that art has to have a literal definition. Though it is of human nature to be able to define any phenomena that occurs in this universe, the idea of being†¦show more content†¦Impressionism – a label intended pejoratively by Louis Leroy in an article written for the Le Charivari on 25 of April, â€Å"stuck successfully because it conveyed well what was the central ambition of the new generation of painters, namely to capture on canvas how a person or object actually, and fleetingly, strikes the eye and not how we think it ought to look or â€Å"really† is.† (Zola, p. xii) The new generation of artists, those in association with the Batignolles group, many of whom later became famous Impressionist painters, adopted the characteristic features of this modern Parisian, of which were: objectivity and a devotion to contemporary life. (Herbert, p. 33) What is often asked is how the rise of this strikingly new movement came into prominence. Seeking to define what impressionism really is, Norma Broude writes in her book of World Impressionism: it is an impulse to paint contemporary life and experience directly from nature, to study the effects of nature s light, and to use a lighter palette and looser brushwork to proclaim the artist s individuality and sincerity and the immediacy of the experiences that the canvas mediated for the viewer. (p. 10). While she mentions many of the characteristics followed with by the works of the Impressionist painters, one critic used the term impressionists to describe [them] because, he said,